{"id":96083,"date":"2018-03-11T10:16:13","date_gmt":"2018-03-11T10:16:13","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-estetica-de-lo-extra-ordinario-lecturas-transnacionales-del-grotesco-femenino\/"},"modified":"2018-03-11T10:16:13","modified_gmt":"2018-03-11T10:16:13","slug":"la-estetica-de-lo-extra-ordinario-lecturas-transnacionales-del-grotesco-femenino","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/lengua-y-literatura\/la-estetica-de-lo-extra-ordinario-lecturas-transnacionales-del-grotesco-femenino\/","title":{"rendered":"La estetica de lo extra\/ordinario: lecturas transnacionales del grotesco femenino"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Beatriz Aguado Otero <\/strong><\/h2>\n<p>El grotesco es un t\u00e9rmino complejo y conflictivo que desde su aparici\u00f3n en la roma cl\u00e1sica como un estilo mural decorativo cuenta en su haber con siglos de historia y debates te\u00f3ricos. Su variante femenina representa la culminaci\u00f3n de una larga tradici\u00f3n de manifestaciones grotescas guiadas por la oposici\u00f3n a las formas de poder y a sus mecanismos discursivos. A trav\u00e9s de este tipo de grotesco asistimos a la reposesi\u00f3n y reutilizaci\u00f3n desde una perspectiva femenina de aquellos mecanismos tradicionales de representaci\u00f3n por los que el cuerpo femenino ha sido percibido y temido como el cuerpo grotesco por antonomasia. El estudio de \u00e9stos y otros aspectos en las obras de varias autoras contempor\u00e1neas pertenecientes a realidades nacionales muy diferentes sirve para demostrar, frente a aquellos postulados que limitan el uso del grotesco a tiempos pret\u00e9ritos o textos exclusivamente europeos, que en la actualidad \u00e9ste resulta m\u00e1s pertinente que nunca y que no entiende de fronteras geogr\u00e1ficas.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La estetica de lo extra\/ordinario: lecturas transnacionales del grotesco femenino<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La estetica de lo extra\/ordinario: lecturas transnacionales del grotesco femenino <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Beatriz Aguado Otero <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Le\u00f3n<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 22\/09\/2009<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Manuel Broncano Rodriguez<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: carmen Manuel cuenca <\/li>\n<li>cristina Alsina risquez (vocal)<\/li>\n<li>imelda Mart\u00edn junquera (vocal)<\/li>\n<li>heinz Ickstadt . (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Beatriz Aguado Otero El grotesco es un t\u00e9rmino complejo y conflictivo que desde su aparici\u00f3n en la [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[636,4430],"tags":[197416,83865,197417,197418,73861,9793],"class_list":["post-96083","post","type-post","status-publish","format-standard","hentry","category-lengua-y-literatura","category-leon","tag-beatriz-aguado-otero","tag-carmen-manuel-cuenca","tag-cristina-alsina-risquez","tag-heinz-ickstadt","tag-imelda-martin-junquera","tag-manuel-broncano-rodriguez"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/96083","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=96083"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/96083\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=96083"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=96083"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=96083"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}