{"id":96111,"date":"2018-03-11T10:16:17","date_gmt":"2018-03-11T10:16:17","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/peter-greenaway-un-ilustrado-en-la-era-neobarroca-interacciones-entre-cine-y-arte-contemporaneo\/"},"modified":"2018-03-11T10:16:17","modified_gmt":"2018-03-11T10:16:17","slug":"peter-greenaway-un-ilustrado-en-la-era-neobarroca-interacciones-entre-cine-y-arte-contemporaneo","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia-del-arte-de-los-siglos-xix-y-xx\/peter-greenaway-un-ilustrado-en-la-era-neobarroca-interacciones-entre-cine-y-arte-contemporaneo\/","title":{"rendered":"Peter greenaway: un ilustrado en la era neobarroca. interacciones entre cine y arte contempor\u00e1neo"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Monika Keska <\/strong><\/h2>\n<p>Peter greenaway: un ilustrado en la era neobarroca. Interacciones entre cine y arte contempor\u00e1neo.  monika keska departamento de historia del arte y m\u00fasica   el objetivo de esta tesis doctoral es el an\u00e1lisis comparativo e interdisciplinar de las ideas de peter greenaway respecto a la renovaci\u00f3n del lenguaje f\u00edlmico desde el punto de vista de la historia del arte y en relaci\u00f3n con diferentes manifestaciones art\u00edsticas contempor\u00e1neas. He insistido, por tanto, en el car\u00e1cter experimental y vanguardista de la obra del director. puesto que la obra de peter greenaway incluye cine, artes visuales, proyectos multimedia ligados a las artes pl\u00e1sticas y esc\u00e9nicas, he optado por aproximarme desde la perspectiva del arte contempor\u00e1neo m\u00e1s que desde la de los estudios f\u00edlmicos. La base de mi investigaci\u00f3n es un estudio comparativo entre la obra del autor brit\u00e1nico y las corrientes art\u00edsticas contempor\u00e1neas, que, a mi juicio, le han influido y presentan similitudes formales y conceptuales. He comparado la obra de greenaway con el per\u00edodo de la ilustraci\u00f3n. Esta designaci\u00f3n tiene un car\u00e1cter puramente metaf\u00f3rico, sin que exista ning\u00fan tipo de connotaciones historicistas. Mi punto de partida fueron las referencias al siglo de las luces y sus sistemas ordinales, que he hallado presentes en la obra de greenaway. He tenido en cuenta tambi\u00e9n las m\u00faltiples referencias a la revoluci\u00f3n francesa, artistas revolucionarios como boull\u00e9e y a la labor de los enciclopedistas.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Peter greenaway: un ilustrado en la era neobarroca. interacciones entre cine y arte contempor\u00e1neo<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Peter greenaway: un ilustrado en la era neobarroca. interacciones entre cine y arte contempor\u00e1neo <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Monika Keska <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Granada<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 23\/09\/2009<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Ignacio Henares Cu\u00e9llar<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: anna Mar\u00eda Guasch ferrer <\/li>\n<li>sagrario Aznar almazan (vocal)<\/li>\n<li>luz De ulierte v\u00e1zquez (vocal)<\/li>\n<li>joan Ormrod (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Monika Keska Peter greenaway: un ilustrado en la era neobarroca. Interacciones entre cine y arte contempor\u00e1neo. monika [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[5547,2563],"tags":[50763,2566,197471,197470,197469,64219],"class_list":["post-96111","post","type-post","status-publish","format-standard","hentry","category-cinematografia","category-historia-del-arte-de-los-siglos-xix-y-xx","tag-anna-maria-guasch-ferrer","tag-ignacio-henares-cuellar","tag-joan-ormrod","tag-luz-de-ulierte-vazquez","tag-monika-keska","tag-sagrario-aznar-almazan"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/96111","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=96111"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/96111\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=96111"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=96111"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=96111"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}