{"id":9638,"date":"1995-01-01T00:00:00","date_gmt":"1995-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/1995\/01\/01\/las-artes-en-emilia-pardo-bazan-cuentos-y-ultimas-novelas\/"},"modified":"1995-01-01T00:00:00","modified_gmt":"1995-01-01T00:00:00","slug":"las-artes-en-emilia-pardo-bazan-cuentos-y-ultimas-novelas","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/las-artes-en-emilia-pardo-bazan-cuentos-y-ultimas-novelas\/","title":{"rendered":"Las artes en emilia pardo bazan: cuentos y ultimas novelas."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Yolanda Latorre Ceresuela <\/strong><\/h2>\n<p>Entre los escritores de los ultimos decenios del siglo xix, pardo bazan proporciona textos imprescindibles en los que convergen diferentes codigos artisticos:  verbales, plasticos y musicales.Nuestro analisis, de indole comparatista, se canaliza hacia los relatos que manifiestan de forma patente haberse nutrido de las artes: \u00abla quimera\u00bb (1905), \u00abla sirena negra\u00bb (1908), \u00abdulce sue\u00f1o\u00bb (1911), la novela inedita \u00abselva\u00bb (1914) y parte de la cuentistica.Se ha estudiado el funcionamiento de las citas de arte, el conjunto de referencias y las descripciones con deuda hacia las artes (las llamadas \u00abtrasposiciones artisticas\u00bb); ademas de estas cuestiones formales se investigo la inclusion de muchas de estas narraciones en la denominada \u00abnovela de artistas\u00bb, lo cual inserta a la escritora gallega en las corrientes europeas de fin de siglo.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Las artes en emilia pardo bazan: cuentos y ultimas novelas.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Las artes en emilia pardo bazan: cuentos y ultimas novelas. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Yolanda Latorre Ceresuela <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Lleida<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1995<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Leonardo Romero Tobar<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Claudio Guillen <\/li>\n<li>Angeles Ezama Gil (vocal)<\/li>\n<li>Sergio Beser Orti (vocal)<\/li>\n<li>J.m. Gonzalez-herran (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Yolanda Latorre Ceresuela Entre los escritores de los ultimos decenios del siglo xix, pardo bazan proporciona textos [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[7757,148,147,18842,324,996,628],"tags":[32805,32804,32806,6017,1115,32803],"class_list":["post-9638","post","type-post","status-publish","format-standard","hentry","category-actitudes-sociales","category-analisis-literario","category-ciencias-de-las-artes-y-las-letras","category-lleida","category-psicologia","category-psicologia-social","category-teoria-analisis-y-critica-literarios","tag-angeles-ezama-gil","tag-claudio-guillen","tag-j-m-gonzalez-herran","tag-leonardo-romero-tobar","tag-sergio-beser-orti","tag-yolanda-latorre-ceresuela"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/9638","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=9638"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/9638\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=9638"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=9638"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=9638"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}