{"id":96523,"date":"2018-03-11T10:16:48","date_gmt":"2018-03-11T10:16:48","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/los-ejercicios-tecnicos-de-beethoven\/"},"modified":"2018-03-11T10:16:48","modified_gmt":"2018-03-11T10:16:48","slug":"los-ejercicios-tecnicos-de-beethoven","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia-de-la-musica\/los-ejercicios-tecnicos-de-beethoven\/","title":{"rendered":"Los ejercicios t\u00e9cnicos de beethoven"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Luca Chiantore <\/strong><\/h2>\n<p>En la extraordinaria actividad art\u00edstica de ludwig van beethoven, la composici\u00f3n, la improvisaci\u00f3n y la interpretaci\u00f3n pian\u00edstica eran facetas inseparables. Lo afirman sus contempor\u00e1neos y lo demuestran sus apuntes de trabajo, que incluyen docenas de apuntes que pueden considerarse como verdaderos ejercicios para piano. Ejercicios escritos para \u00e9l mismo, en los que beethoven forj\u00f3 la impactante modernidad de su t\u00e9cnica y escribi\u00f3 una p\u00e1gina decisiva en la historia del piano. Ignorados durante generaciones, estos ejercicios constituyen documentos inmejorables para reflexionar sobre lo que representan hoy sus obras y su figura. Esta tesis doctoral, la primera dedicara \u00edntegramente a estos ejercicios, se acerca a estos ejercicios -y muy especialmente a aqu\u00e9llos que se remontan a los a\u00f1os comprendidos entre 1790 y 1793- de la forma lo m\u00e1s atenta y rigurosa posible, intentando dar respuesta a algunos de los m\u00faltiples interrogantes que estos documentos despiertan, vinculados a aspectos muy variados de la actividad creativa de beethoven.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Los ejercicios t\u00e9cnicos de beethoven<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Los ejercicios t\u00e9cnicos de beethoven <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Luca Chiantore <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Aut\u00f3noma de barcelona<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 13\/10\/2009<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Francesc Cort\u00e9s Mir<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: franco Fabbri <\/li>\n<li>pablo l. Rodr\u00edguez fern\u00e1ndez (vocal)<\/li>\n<li>  (vocal)<\/li>\n<li>  (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Luca Chiantore En la extraordinaria actividad art\u00edstica de ludwig van beethoven, la composici\u00f3n, la improvisaci\u00f3n y la [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[7632,9132],"tags":[13803,198169,198168,77406],"class_list":["post-96523","post","type-post","status-publish","format-standard","hentry","category-historia-de-la-musica","category-musica-y-musicologia","tag-francesc-cortes-mir","tag-franco-fabbri","tag-luca-chiantore","tag-pablo-l-rodriguez-fernandez"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/96523","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=96523"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/96523\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=96523"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=96523"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=96523"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}