{"id":96994,"date":"2009-04-11T00:00:00","date_gmt":"2009-04-11T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/genesis-del-boceto-y-el-non-finito-el-boceto-como-expresion-estetica-del-siglo-xix\/"},"modified":"2009-04-11T00:00:00","modified_gmt":"2009-04-11T00:00:00","slug":"genesis-del-boceto-y-el-non-finito-el-boceto-como-expresion-estetica-del-siglo-xix","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/teoria-analisis-y-critica-de-las-bellas-artes\/genesis-del-boceto-y-el-non-finito-el-boceto-como-expresion-estetica-del-siglo-xix\/","title":{"rendered":"G\u00e9nesis del boceto y el non finito: el boceto como expresi\u00f3n est\u00e9tica del siglo xix"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Veronica Uribe Hanabergh <\/strong><\/h2>\n<p>La tesis, g\u00e9nesis del fragmento y el non finito: el boceto como expresi\u00f3n est\u00e9tica del siglo xix,  es un an\u00e1lisis a trav\u00e9s del cual se demuestra el proceso de consolidaci\u00f3n de un g\u00e9nero pl\u00e1stico. El boceto como objeto visual y el non finito como categor\u00eda est\u00e9tica, son investigados desde el renacimiento hasta su arraigo en pleno romanticismo y as\u00ed mismo, se estudian las teor\u00edas que aceptan este tipo de objeto durante los siglos xv al xix. La utilizaci\u00f3n de ejemplos de la historia del arte y la literatura cl\u00e1sica permiten establecer que el boceto y el non finito son el paso previo que da el arte del siglo decimon\u00f3nico para llegar a las vanguardias. Con este an\u00e1lisis se forman cuatro tipolog\u00edas de artista y de boceto con sus respectivos ejemplos, que representan el argumento fundamental: el boceto es el g\u00e9nero que define y manifiesta los ideales est\u00e9ticos del arte del siglo xix.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>G\u00e9nesis del boceto y el non finito: el boceto como expresi\u00f3n est\u00e9tica del siglo xix<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 G\u00e9nesis del boceto y el non finito: el boceto como expresi\u00f3n est\u00e9tica del siglo xix <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Veronica Uribe Hanabergh <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Pompeu fabra<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 04\/11\/2009<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Rafael Argullol Murgadas<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: montserrat Cots vicente <\/li>\n<li>patricia Almarcegui elduayen (vocal)<\/li>\n<li>Jes\u00fas Rubio jim\u00e9nez (vocal)<\/li>\n<li>isabel Soler quintana (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Veronica Uribe Hanabergh La tesis, g\u00e9nesis del fragmento y el non finito: el boceto como expresi\u00f3n est\u00e9tica [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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