{"id":972,"date":"1994-01-01T00:00:00","date_gmt":"1994-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/1994\/01\/01\/la-vida-socio-politica-egipcia-tras-la-revolucion-a-traves-de-la-obra-dramatica-de-yusuf-idris\/"},"modified":"1994-01-01T00:00:00","modified_gmt":"1994-01-01T00:00:00","slug":"la-vida-socio-politica-egipcia-tras-la-revolucion-a-traves-de-la-obra-dramatica-de-yusuf-idris","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/la-vida-socio-politica-egipcia-tras-la-revolucion-a-traves-de-la-obra-dramatica-de-yusuf-idris\/","title":{"rendered":"La vida socio-politica egipcia tras la revolucion a traves de la obra dramatica de yusuf idris."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Pilar Lirola Delgado <\/strong><\/h2>\n<p>Se centra en la labor dramatica de yusuf idris (1927-1991), uno de los escritores egipcios que han mostrado una actitud comprometida con la vida socio-politica de su entorno en su vasta obra literaria.  el trabajo esta dividido en tres partes: estudio, traduccion de el-bahlawan (el payaso) y material grafico diverso relacionado con las representaciones de sus obras y con otros aspectos de la personalidad y de la actividad literaria en general del escritor. El estudio atiende a los siguientes aspectos: perfil biografico y de su personalidad; aproximacion a su labor dramatica como escritor y teorizador, incidiendo en sus planteamientos para crear un teatro egipcio; estudio de la evolucion de su produccion dramatica dividida en 3 etapas, segun su desarrollo formal y tematico y abordando la trama, algunos aspectos de la representacion y el analisis critico; consideraciones generales sobre la ideolog\u00eda socio-politica que subyace en sus obras; clasificacion de estas dentro del teatro egipcio; y diferentes aspectos de la lengua dialectal que aparecen en sus trabajos dramaticos.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La vida socio-politica egipcia tras la revolucion a traves de la obra dramatica de yusuf idris.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La vida socio-politica egipcia tras la revolucion a traves de la obra dramatica de yusuf idris. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Pilar Lirola Delgado <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Granada<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1994<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li> Forneas Besteiro Jos\u00e9 M.<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Pedro Martinez Montavez <\/li>\n<li>Amador Diaz Garcia (vocal)<\/li>\n<li>Mar\u00eda Jes\u00fas Viguera Molins (vocal)<\/li>\n<li> Martinez Nu\u00f1ez M. Antonia (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Pilar Lirola Delgado Se centra en la labor dramatica de yusuf idris (1927-1991), uno de los escritores [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[148,147,1110,1111,628],"tags":[3891,3889,3892,3893,3890,3888],"class_list":["post-972","post","type-post","status-publish","format-standard","hentry","category-analisis-literario","category-ciencias-de-las-artes-y-las-letras","category-teatro","category-teoria-analisis-y-critica-de-las-bellas-artes","category-teoria-analisis-y-critica-literarios","tag-amador-diaz-garcia","tag-forneas-besteiro-jose-m","tag-maria-jesus-viguera-molins","tag-Martinez-nunez-m-antonia","tag-pedro-Martinez-montavez","tag-pilar-lirola-delgado"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/972","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=972"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/972\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=972"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=972"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=972"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}