{"id":98222,"date":"2018-03-11T10:18:57","date_gmt":"2018-03-11T10:18:57","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/cambio-en-el-paradigma-enunciativode-la-nueva-dramaturgia-chilena\/"},"modified":"2018-03-11T10:18:57","modified_gmt":"2018-03-11T10:18:57","slug":"cambio-en-el-paradigma-enunciativode-la-nueva-dramaturgia-chilena","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/analisis-literario\/cambio-en-el-paradigma-enunciativode-la-nueva-dramaturgia-chilena\/","title":{"rendered":"Cambio en el paradigma enunciativode la nueva dramaturgia chilena"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Roberto Matamala Elorz <\/strong><\/h2>\n<p>La tesis cambio en el paradigma enunciativo de la dramaturgia chilena contempor\u00e1nea, escrita bajo la direcci\u00f3n del doctor carles battlle i jord\u00ed\u00a0, examina la enunciaci\u00f3n en los dramaturgos chilenos del cambio de siglo y c\u00f3mo esta determina una nueva visi\u00f3n de aspectos claves del arte dram\u00e1tico postmoderno en chile.  estructurada en cuatro partes, recoge en la primera aspectos hist\u00f3ricos del teatro chileno en el siglo xx y sus antecedentes europeos; en la segunda, se analiza obras de ocho dramaturgos chilenos de fines del siglo xx y comienzos del xxi; la tercera est\u00e1 dedicada a las conclusiones; en tanto que en la cuarta, se describe el aparataje te\u00f3rico que ha sido utilizado.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Cambio en el paradigma enunciativode la nueva dramaturgia chilena<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Cambio en el paradigma enunciativode la nueva dramaturgia chilena <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Roberto Matamala Elorz <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Aut\u00f3noma de barcelona<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 18\/12\/2009<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Carles Batlle Jord?<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: enric Gallen miret <\/li>\n<li>antoni Ramon graells (vocal)<\/li>\n<li>  (vocal)<\/li>\n<li>  (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Roberto Matamala Elorz La tesis cambio en el paradigma enunciativo de la dramaturgia chilena contempor\u00e1nea, escrita bajo [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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