{"id":98287,"date":"2018-03-11T10:19:02","date_gmt":"2018-03-11T10:19:02","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/retorica-y-agudeza-en-la-prosa-sata%c2%adrico-burlesca-de-quevedo\/"},"modified":"2018-03-11T10:19:02","modified_gmt":"2018-03-11T10:19:02","slug":"retorica-y-agudeza-en-la-prosa-sata%c2%adrico-burlesca-de-quevedo","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/lengua-y-literatura\/retorica-y-agudeza-en-la-prosa-sata%c2%adrico-burlesca-de-quevedo\/","title":{"rendered":"Ret\u00f3rica y agudeza en la prosa sat\u00edrico-burlesca de quevedo"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Enrique Martinez Bogo <\/strong><\/h2>\n<p>La tesis estudia la agudeza y sus mecanismos ret\u00f3ricos en la prosa sat\u00edrico-burlesca de francisco de quevedo. Esta parte de su obra est\u00e1 compuesta por un conjunto de op\u00fasculos breves, com\u00fanmente denominados prosa festiva o prosa burlesca, que presentan las constantes sat\u00edricas y burlescas del autor. la primera parte del trabajo est\u00e1 constituida por un marco te\u00f3rico en el que se tratan cuestiones introductorias sobre la consideraci\u00f3n de lo festivo, lo sat\u00edrico y lo burlesco y se realiza un repaso hist\u00f3rico de las diferentes definiciones que se han tenido de la agudeza y sus procedimientos ret\u00f3ricos desde arist\u00f3teles hasta graci\u00e1n. Como conclusi\u00f3n se presenta una descripci\u00f3n de cada recurso en el que se muestran sus especiales caracter\u00edsticas para la consecuci\u00f3n de la agudeza. el segundo cap\u00edtulo revisa las diferentes tradiciones literarias que han podido tener relevancia en la redacci\u00f3n de este heterog\u00e9neo grupo de obras. La prosa sat\u00edrico-burlesca de quevedo responde a una conjunci\u00f3n de diversas fuentes cultas y populares que tambi\u00e9n afectan al logro de la agudeza. la \u00faltima secci\u00f3n, y parte principal del trabajo, analiza en detalle la agudeza en cada una de las obras que componen este corpus. Este an\u00e1lisis permite observar las particularidades, desarrollo, similitudes y diferencias de estos op\u00fasculos que combinan la parodia de g\u00e9neros con la burla y la s\u00e1tira.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Ret\u00f3rica y agudeza en la prosa sat\u00edrico-burlesca de quevedo<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Ret\u00f3rica y agudeza en la prosa sat\u00edrico-burlesca de quevedo <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Enrique Martinez Bogo <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Santiago de compostela<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 18\/12\/2009<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Antonio Azaustre Galiana<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: alfonso Rey \u00e1lvarez <\/li>\n<li>Juan Casas rigal (vocal)<\/li>\n<li>ram\u00f3n Vald\u00e9s g\u00e1rquez (vocal)<\/li>\n<li>guillermo Seres guillen (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Enrique Martinez Bogo La tesis estudia la agudeza y sus mecanismos ret\u00f3ricos en la prosa sat\u00edrico-burlesca de [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[13411,1867,636,977],"tags":[21116,100370,201060,37897,199386,201061],"class_list":["post-98287","post","type-post","status-publish","format-standard","hentry","category-filologia-espanola","category-historia-de-la-literatura-espanola","category-lengua-y-literatura","category-santiago-de-compostela","tag-alfonso-rey-alvarez","tag-antonio-azaustre-galiana","tag-enrique-Martinez-bogo","tag-guillermo-seres-guillen","tag-juan-casas-rigal","tag-ramon-valdes-garquez"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/98287","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=98287"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/98287\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=98287"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=98287"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=98287"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}