{"id":98431,"date":"2018-03-11T10:19:12","date_gmt":"2018-03-11T10:19:12","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/el-patrimonio-arta%c2%adstico-de-los-poblados-decolonizacion-en-la-cuenca-del-guadalquivir-1939-1973\/"},"modified":"2018-03-11T10:19:12","modified_gmt":"2018-03-11T10:19:12","slug":"el-patrimonio-arta%c2%adstico-de-los-poblados-decolonizacion-en-la-cuenca-del-guadalquivir-1939-1973","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/el-patrimonio-arta%c2%adstico-de-los-poblados-decolonizacion-en-la-cuenca-del-guadalquivir-1939-1973\/","title":{"rendered":"El patrimonio art\u00edstico de los poblados decolonizaci\u00f3n en la cuenca del guadalquivir (1939-1973)"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Guillermo Martinez Salazar <\/strong><\/h2>\n<p>La investigaci\u00f3n se ha centrado en el patrimonio art\u00edstico que se gener\u00f3 para la decoraci\u00f3n de los nuevos templos construidos en los poblados del instituto nacional de colonizaci\u00f3n en la cuenca del guadalquivir. destacar tambi\u00e9n la puesta en valor de dicho patrimonio como un gran referente del arte espa\u00f1ol de vanguardia de la mitad del siglo xx, sin olvidar a sus autores que contamos con una treintena de artistas de gran presitgio, los cuales comenzaron sus carreras profesionales colaborando estrechamente con los arquitectos del inc. en definitiva con esta investigaci\u00f3n ofrecemos a los investigadoresla oportunidad de extraer informaci\u00f3n precisa  en referencia al arte sacro pre y post concilicar en una franja cronol\u00f3gica concreta 1939-1973.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>El patrimonio art\u00edstico de los poblados decolonizaci\u00f3n en la cuenca del guadalquivir (1939-1973)<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 El patrimonio art\u00edstico de los poblados decolonizaci\u00f3n en la cuenca del guadalquivir (1939-1973) <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Guillermo Martinez Salazar <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Sevilla<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 21\/12\/2009<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Alfonso Pleguezuelo Hern\u00e1ndez<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Juan  manuel Mi\u00f1arro lopez <\/li>\n<li>constantino Ga\u00f1an medina (vocal)<\/li>\n<li>teresa Chafer bixquert (vocal)<\/li>\n<li>Jorge  Alberto Dur\u00e1n su\u00e1rez (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Guillermo Martinez Salazar La investigaci\u00f3n se ha centrado en el patrimonio art\u00edstico que se gener\u00f3 para la [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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