{"id":98603,"date":"2018-03-11T10:19:25","date_gmt":"2018-03-11T10:19:25","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/lo-ironico-sublime-como-recurso-retorico-en-el-cine-de-no-ficcion-de-werner-herzog-el-caso-de-the-white-diamond-grizzly-man-y-the-wild-blue-yonder\/"},"modified":"2018-03-11T10:19:25","modified_gmt":"2018-03-11T10:19:25","slug":"lo-ironico-sublime-como-recurso-retorico-en-el-cine-de-no-ficcion-de-werner-herzog-el-caso-de-the-white-diamond-grizzly-man-y-the-wild-blue-yonder","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/teoria-analisis-y-critica-de-las-bellas-artes\/lo-ironico-sublime-como-recurso-retorico-en-el-cine-de-no-ficcion-de-werner-herzog-el-caso-de-the-white-diamond-grizzly-man-y-the-wild-blue-yonder\/","title":{"rendered":"Lo ir\u00f3nico-sublime como recurso ret\u00f3rico en el cine de no-ficci\u00f3n de werner herzog. el caso de the white diamond, grizzly man y the wild blue yonder"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Fabiola Alcala Anguiano <\/strong><\/h2>\n<p>El objetivo de esta tesis es el estudio de lo ir\u00f3nico-sublime como figura ret\u00f3rica en tres filmes de no-ficci\u00f3n de werner herzog: the white diamond, grizzly man y the wild blue yonder.   el texto esta dividido en dos partes: la primera, en la que se plantea un recorrido por los distintos contextos hist\u00f3ricos, te\u00f3ricos y art\u00edsticos que nos permiten reconocer cu\u00e1les son las caracter\u00edsticas de este tipo de cine de no-ficci\u00f3n; una propuesta en la que lo real juega un papel m\u00e1s po\u00e9tico, y en la que la verdad que se persigue no es una verdad congruente con unos hechos determinados sino con una est\u00e9tica m\u00e1s universal.  en la segunda parte, se analiza de qu\u00e9 forma opera lo ir\u00f3nico-sublime (la principal caracter\u00edstica del cine de no-ficci\u00f3n de werner herzog) en las distintas partes que conforman las tres pel\u00edculas que nos ocupan. Humor y belleza ser\u00e1n la clave para interpretar estas tres historias sobre el hombre, la naturaleza y sus l\u00edmites.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Lo ir\u00f3nico-sublime como recurso ret\u00f3rico en el cine de no-ficci\u00f3n de werner herzog. el caso de the white diamond, grizzly man y the wild blue yonder<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Lo ir\u00f3nico-sublime como recurso ret\u00f3rico en el cine de no-ficci\u00f3n de werner herzog. el caso de the white diamond, grizzly man y the wild blue yonder <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Fabiola Alcala Anguiano <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Pompeu fabra<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 15\/01\/2010<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Josep Mar\u00eda Catal? Dom\u00e9nech<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: xavier P\u00e9rez tor\u00edo <\/li>\n<li>Antonio Weinrichter l\u00f3pez (vocal)<\/li>\n<li>vicente Benet ferrando (vocal)<\/li>\n<li>david Roas deus (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Fabiola Alcala Anguiano El objetivo de esta tesis es el estudio de lo ir\u00f3nico-sublime como figura ret\u00f3rica [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[5547,3925,5250,18712,1111],"tags":[201577,181843,201576,181842,137013,44277],"class_list":["post-98603","post","type-post","status-publish","format-standard","hentry","category-cinematografia","category-estilo-y-retorica","category-filosofia-de-las-ciencias-sociales","category-pompeu-fabra","category-teoria-analisis-y-critica-de-las-bellas-artes","tag-antonio-weinrichter-lopez","tag-david-roas-deus","tag-fabiola-alcala-anguiano","tag-josep-maria-catal-domanech","tag-vicente-benet-ferrando","tag-xavier-perez-torio"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/98603","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=98603"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/98603\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=98603"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=98603"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=98603"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}