{"id":98692,"date":"2018-03-11T10:19:35","date_gmt":"2018-03-11T10:19:35","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/de-lo-melancolico-y-de-lo-sublime-un-ensayo-sobre-la-pintura-del-vacio\/"},"modified":"2018-03-11T10:19:35","modified_gmt":"2018-03-11T10:19:35","slug":"de-lo-melancolico-y-de-lo-sublime-un-ensayo-sobre-la-pintura-del-vacio","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/barcelona\/de-lo-melancolico-y-de-lo-sublime-un-ensayo-sobre-la-pintura-del-vacio\/","title":{"rendered":"De lo melanc\u00f3lico y de lo sublime, un ensayo sobre la pintura del vacio"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Jaime Antonio Quezadas Bola\u00f1os <\/strong><\/h2>\n<p>Trata sobre el vac\u00edo y su relaci\u00f3n con la pintura. Sobre la melancol\u00eda y lo sublime. La melancol\u00eda es explorada desde la postmodernidad. Revisa nociones como \u00abmirada desenfocada\u00bb en pintura, y en esa direcci\u00f3n el vac\u00edo, memoria y distancia; y si la resistencia al olvido tiene espacio en una \u00e9poca que privilegia lo ef\u00edmero. Tambi\u00e9n revisa la obra de artistas orientales y otros occidentales que han hecho del vac\u00edo una po\u00e9tica. Nociones como vacu\u00eddad, contemplaci\u00f3n, interiorizaci\u00f3n del color de la naturaleza y proceso. Indaga en barnet newman para volver a pensar lo sublime y su continuidad. La idea de lo puro, la penumbra y lo sencillo, y en ese esp\u00edritu se revisan las obras negras y blancas de malevitan, las pinturas negras de rothko y reinhardt, para terminar con la obra de antoni llena.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>De lo melanc\u00f3lico y de lo sublime, un ensayo sobre la pintura del vacio<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 De lo melanc\u00f3lico y de lo sublime, un ensayo sobre la pintura del vacio <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Jaime Antonio Quezadas Bola\u00f1os <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Barcelona<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 20\/01\/2010<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Alicia Vela Cisneros<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: joaquim Chancho cabr\u00e9 <\/li>\n<li>antoni Mari mu\u00f1oz (vocal)<\/li>\n<li>  (vocal)<\/li>\n<li>  (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Jaime Antonio Quezadas Bola\u00f1os Trata sobre el vac\u00edo y su relaci\u00f3n con la pintura. Sobre la melancol\u00eda [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[951,3806],"tags":[99,4159,201722,60169],"class_list":["post-98692","post","type-post","status-publish","format-standard","hentry","category-barcelona","category-pintura","tag-alicia-vela-cisneros","tag-antoni-mari-munoz","tag-jaime-antonio-quezadas-bolanos","tag-joaquim-chancho-cabre"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/98692","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=98692"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/98692\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=98692"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=98692"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=98692"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}