{"id":99538,"date":"2010-04-03T00:00:00","date_gmt":"2010-04-03T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/el-arte-postal-de-rene-heyvaert-una-concepcion-ma%c2%adnima-y-cotidiana-del-arte\/"},"modified":"2010-04-03T00:00:00","modified_gmt":"2010-04-03T00:00:00","slug":"el-arte-postal-de-rene-heyvaert-una-concepcion-ma%c2%adnima-y-cotidiana-del-arte","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/dibujo-y-grabado\/el-arte-postal-de-rene-heyvaert-una-concepcion-ma%c2%adnima-y-cotidiana-del-arte\/","title":{"rendered":"El arte postal de ren\u00e9 heyvaert: una concepci\u00f3n m\u00ednima y cotidiana del arte"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Ann Heyvaert <\/strong><\/h2>\n<p>El objetivo de este trabajo de investigaci\u00f3n trata de profundizar en el estudio del arte postal del artista belga ren\u00e9 heyvaert (1929-1984), supuestamente una discreta faceta de su amplia y variada obra, profundamente ligada, tanto a sus circunstancias vitales -un estado de soledad debido a una salud muy precaria-, como a un contexto art\u00edstico, hist\u00f3rico y geogr\u00e1fico. este entramado determina el desarrollo metodol\u00f3gico y org\u00e1nico del trabajo en base a tres ejes principales:  1: una aproximaci\u00f3n a su biograf\u00eda, revisada a trav\u00e9s del los archivos, de su amplia correspondencia y de nuevos testimonios, con el fin de observar los cruces existenciales, formales y conceptuales de su obra, y desvelar los s\u00edntomas que pudieron activar su arte postal.  2: contextualizaci\u00f3n de su obra, especialmente en b\u00e9lgica, cuando, siguiendo unas tendencias internacionales, el arte se aproxima a una concepci\u00f3n m\u00ednima de arte postal, heredada de las vanguardias modernistas. Desde los constructivistas, los futuristas, el dada europeo, los neodadas americanos, fluxus o  los situacionistas, artistas que revindican la otra cara del arte, de la vida. En todos los \u00e1mbitos, desde el espacio privado al \u00e1mbito p\u00fablico, experimentan con pr\u00e1cticas, como el arte por correo, que praticipa, fuera de los circuitos tradicionales y oficiales, de una realidad vivida, cotidiana y social.  3: exploraci\u00f3n conceptual y formal del arte postal de ren\u00e9 heyvaert, desde su imperiosa vocaci\u00f3n epistolar. Sus tarjetas se presentan como tablas de salvaci\u00f3n y cartas de juego, juego postal y juego del arte-seducci\u00f3n y experimentaci\u00f3n-.   la conformaci\u00f3n de un inventario en paralelo a la investigaci\u00f3n te\u00f3rica, fue desvelando las l\u00f3gicas propias de las diferentes series de tarjetas. Una relaci\u00f3n de las caracter\u00edsticas conceptuales y formales, as\u00ed como un listado de las frases del artista recogidas sobre sus tartjetas, concluyen el trabajo.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>El arte postal de ren\u00e9 heyvaert: una concepci\u00f3n m\u00ednima y cotidiana del arte<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 El arte postal de ren\u00e9 heyvaert: una concepci\u00f3n m\u00ednima y cotidiana del arte <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Ann Heyvaert <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Vigo<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 04\/03\/2010<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Elena Lape\u00f1a Mart\u00ednez<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: araceli mercedes Liste fern\u00e1ndez <\/li>\n<li>gonzalo Puch orta (vocal)<\/li>\n<li>ricardo Cadenas vidal (vocal)<\/li>\n<li>Manuel Silvestre visa (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Ann Heyvaert El objetivo de este trabajo de investigaci\u00f3n trata de profundizar en el estudio del arte [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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