{"id":99774,"date":"2018-03-11T10:21:00","date_gmt":"2018-03-11T10:21:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/moda-y-arte-desplazamientos-contagios-e-interacciones-el-concepto-local-gallego-transversalizado-por-el-contexto-internacional\/"},"modified":"2018-03-11T10:21:00","modified_gmt":"2018-03-11T10:21:00","slug":"moda-y-arte-desplazamientos-contagios-e-interacciones-el-concepto-local-gallego-transversalizado-por-el-contexto-internacional","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/estetica-de-las-bellas-artes\/moda-y-arte-desplazamientos-contagios-e-interacciones-el-concepto-local-gallego-transversalizado-por-el-contexto-internacional\/","title":{"rendered":"Moda y arte: desplazamientos, contagios e interacciones. el concepto local gallego transversalizado por el contexto internacional"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Cristina Varela  Casal <\/strong><\/h2>\n<p>Sin duda los 80 fueron un periodo de excepcional efervescencia creativa tanto en galicia como en el resto del territorio nacional. En \u00e9l se articulan y asumen los principios posmodernos desde su l\u00f3gica de transversalidad y contagio horizontal, lo cual posibilita la incorporaci\u00f3n al territorio del arte de \u00e1reas hasta ahora vetadas para la creaci\u00f3n o al menos consideradas en paralelo a ella. en el caso de la moda en galicia se da el salto de la manufactura al dise\u00f1o textil de la mano de \u00abgalicia moda\u00bb. Analizamos este periodo de forma historiogr\u00e1fica, econ\u00f3mica y est\u00e9tica y nos introducimos en sus avatares de mano de los agentes implicados en \u00e9l que no explican c\u00f3mo y por qu\u00e9, qu\u00e9 fue y qu\u00e9 supuso \u00abgalicia moda\u00bb. Aportamos los testimonios de luis carballo, ide\u00f3logo y gestor del movimiento. La visi\u00f3n de algunos de los creadores m\u00e1s representativos; gene cabaleiro, javier ca\u00f1as, adolfo dom\u00ednguez, kina fern\u00e1ndez y mar\u00eda moreira. El relato de los medios en voz de fernando franco y el an\u00e1lisis a posteriori de la mano de la canalla (fran y patricia soto) y rom\u00e1n pad\u00edn. \u00abgalicia moda\u00bb supone el arranque de la concepci\u00f3n del textil\/dise\u00f1o de moda como un espacio de creaci\u00f3n, lo cual incorpora a su lectura muchos matices, referencia y nuevos modos de articulaci\u00f3n que den entrada a este nuevo territorio del arte. Definimos una serie de contenedores generales, para a partir de ellos aclarar el reposicionamiento de categor\u00edas en la zona de contagio arte\/moda. Espacios de contagio, estrategias del arte al servicio de la moda, moda gr\u00e1fica, el discurso de la moda al servicio del arte y arte\/fotograf\u00eda\/moda\/estilismo. finalmente, ilustramos dichas categor\u00edas con una suerte de ejemplos que en circulos conc\u00e9ntricos abarcan del terreno internacional al gallego equiparando los distintos niveles de acci\u00f3n en una visi\u00f3n \u00abglobal\u00bb de la realidad creativa.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Moda y arte: desplazamientos, contagios e interacciones. el concepto local gallego transversalizado por el contexto internacional<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Moda y arte: desplazamientos, contagios e interacciones. el concepto local gallego transversalizado por el contexto internacional <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Cristina Varela  Casal <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Vigo<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 15\/03\/2010<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Dolores Dopico  Aneiros<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: araceli mercedes Liste fern\u00e1ndez <\/li>\n<li>Jos\u00e9 Luis Vicario merino (vocal)<\/li>\n<li>Antonio Arana san sebasti\u00e1n (vocal)<\/li>\n<li>  (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Cristina Varela Casal Sin duda los 80 fueron un periodo de excepcional efervescencia creativa tanto en galicia [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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